Harry Tomlin is an award-winning director, photographer and creative director based in London. His work blends cinematic realism with editorial energy to create intimate, visually rich stories. With a strong sense of place and curiosity for people and relationships, he explores themes of connection, identity and joy through emotionally resonant storytelling. Harry creates films that uncover meaning in everyday moments, working as a director for brands and stories that want to be felt as much as seen.
Clients and publications include AWAL, Polydor, Sony Music, Netflix, Somesuch, Radical Media, EA Sports, KFC, Danone, Loop Earplugs, UOOYAA, Lola Rose, XGIMI, Minute Shorts, Atmos Magazine, EasyJet and Brighton Council Foster Care among others.
Agent: Marisa Garner @ Other Kind
marisa@otherkindcreative.com
07703314406
harrytomlin7@gmail.com
Instagram @harrytharry
AWARDS:
- Shiny Award Shortlist - UOOYAA London Campaign
- Promonews Pick Of The Day - 15 by Kat Penkin
- Best Director - A Fluorescent Sky (Athens International Film Festival)
- Best International Feature - A Fluorescent Sky (White Vulture Film Festival)
- Best Indie Narrative Short - HEEL DROP (8 & Half Film Awards)
- Best Editing - The Dwelling (Durham International Film Festival)
- Best Editing - The Dwelling (Quarantine International Film Festival)
- Best Film - For Whome The Clock Ticks (Shooting From The Hip)
- Audience Choice Award - I Love You Space Cakes (Shooting From The Hip)
- Finalist - HEEL DROP (Rhode Island Film Festival)
- Finalist - HEEL DROP (Red Fox International Film Festival)
- Finalist - Come Closer (Liverpool Indie Awards)
- Finalist - What You Sorry For (Mansfield Town Film Festival)
- Finalist - The Dwelling (Long Distance Film Festival)
- Finalist - A Fluorescent Sky (Rhode Island Film Festival)
- Finalist - A Fluorescent Sky (White Vulture Film Festival)
- Finalist - A Fluorescent Sky (Dumbo Film Festival)
- Honourable Mention - Heel Drop (Brighton Rocks International Film Festival)
© 2026 Harry tomlin -
All rights reserved.
No part of this publication may be reproduced, distributed, or transmitted without the prior permission of the publisher.